I need help with some questions and responding to people.
1. Nealon & Giroux remark upon “the capacity to control one’s own as well as other peoples’ time or location in space” (123). This connects with Michel Foucault’s concept of “power”: “an act, through ability or official capacity to exercise control of a system or function, reducing and limiting the will and freedom of the individual” (handout). What are the systems and functions within our world that reduce and limit your will and freedom? How and why have those systems and functions gained such power within our society and culture? How are we interpellated and controlled (think: ideological and repressive state apparatuses) by these systems and functions?
2. More Foucault: the French theorist suggested that the gaze of those in power can construct, dehumanize, and objectify the individual. This concept of surveillance plays out in his application of Jeremy Bentham’s panopticon, a mechanism that places the individual in a constant state of visibility and so always under control. To this point, Thomas Mathiesen added the concept of synopticon, where the many observe the few, yet all remain vulnerable. Explain how the gaze is and has been at work in our own lives, how the notion of the panopticon is apparent in our world’s systems, and why the notion of the synopticon is particularly applicable to our current society, offering specific, detailed illustrations.
3. Nealon & Giroux state that “the degree to which you will safe or endangered, at home or out of place, legal or illegal, in private or under surveillance, capable of movement or confined, free or policed has everything to do with the spaces you occupy” (136). Yet while agency may appear to present us freedom to make our own choices, just how much agency do we have? How much control do you have over the places you go, the spaces you occupy, even the time to do as you please? Explain and illustrate how our seeming “choices” are not all that freely available to us, including the ways carnivalesque practices demonstrate resistance to such control.
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Consider the following questions regarding Oscar Wilde’s adult fairy tale, “The Happy Prince,” offering particular story details within your explanations to demonstrate clearly your position:
SPACE & TIME Agency: the capacity of a person to make choices and act freely in the world. Carnivalesque: social act, equally apparent in literature, marked by humor, chaos, and attention to the body, usually in defiance or subversion of authority and cultural norms—with no consequences for:
Gaze: a glance, look, observation or surveillance which powerfully constructs the object, dehumanizing and objectifying the individual while asserting a position of control. [Michel Foucault, Birth of the Clinic (1963), Discipline and Punish (1975)] Panopticon: a powerful disciplinary mechanism that places the object of study in a state of constant visibility, and thus always under observation and control. [Foucault, Discipline and Punish (1975)] Power: an act, through ability or official capacity to exercise control of a system or function, reducing and limiting the will and freedom of the individual. [Michel Foucault, Discipline and Punish (1975), “The Subject and Power” (1982)]
Synopticon: a mechanism, largely indebted to mass media and technology, where the many observe the few, yet where all remain vulnerable. [Thomas Mathiesen, The Viewer Society: Michel Foucault’s Panopticon Revisited (1997)] I will post the story once someone can help me thanks. |
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