Instructions for the Social Commentary Term Paper
Minimum 1650 words
—Full instructions and guidance begins on p. 3, but read pp. 1-2 first—
Overview of assignment: The Social Commentary paper is a combination of critical thinking and research. However, only the second section, “Discussion of the Social Issue,” requires any research. In fact, no other outside information should be used in any of the other sections, just your ears and your brain.
1500 words, minimum. *NOTE: quoted material (lyrics, sources), headings, titles and references are not counted as original writing. In that light, you should aim for a total of roughly 1650+ words.
The writing and review process: There are five* sections to the paper:
Assignment workflow for self/peer-assessment:
Instructions for Writing Social Commentary Term Paper – Comparison & Opinion: 1650 words
Assignment
In this paper, you will choose two songs, each from a different artist (or band), preferably from a different genre, and compare how they address a single topic of broad social interest (social issue).
Nature of Assignment
This is a formal writing assignment, requiring a lot of critical thinking, third-person declarative prose AND some research (sources).
Critical thinking: about what the songs have to say on the issue.
Third-person declarative prose: Writing as a declaration of a truth or truths, without reference to self nor reader (no “I,” “me,” “my,” “mine,” “you,” or “your”).
Sources: 2 minimum (described below) for the social issue discussion, that you are required to include in a bibliography, and cite at the points they are used in the discussion of the issue. DO NOT use an artist’s song/performance video as a source for discussion.
Social Issues
Issues of broad concern such as, the environment, natural or manmade disasters, child welfare/abuse/neglect/molestation, domestic violence, rape, abortion, gang violence, class warfare, war, terrorism, propaganda, politics, national image, military service, religion*, racism, racially-motivated violence, slavery, human trafficking, materialism, among others, are acceptable. In some cases, songs of a more personal nature are acceptable if they speak to a broad audience. Topics such as mental illness, loneliness, drug or alcohol abuse (substance abuse) would fall into this category. Generally speaking, songs about love, sex, cars, the joys of rock and roll, or sports are not acceptable. Topics so general as to include everyone, like death, should be covered from the standpoint of the issues surrounding it; survivors dealing with a loved ones death, or views on the after-life are acceptable. When in doubt, consult your instructor. *There are songs in any given faith whose purpose is to connect to the faithful (ex. hymns, worship or praise songs, liturgical singing). These would be inappropriate. Songs that address various issues surrounding faith would be appropriate.
NOT ACCEPTABLE as an issue – Music, music business, artists, groups, genres or any historical perspective on music used to protest or bring attention to things. This is where a few students misinterpret the title of this assignment (without reading these instructions) and assume that this paper is on the subject of social-commentary music. It is not. It is about two specific songs that are centered on one specific issue.
INSTRUCTIONS
Selecting your songs – Choose two songs that have the same social condition or issue at their core. They do not have to take the same position, or even have a position, but it should be fairly evident that the same issue is embodied in both. Further, the two songs should be written or performed by different artists, each from a different genre of popular music. Other than introducing an artist as “hard rock” or “hip-hop,” no further discussion of genre need ensue. If you are unsure, you should ask your instructor. (see list below of songs to never use)
Songs NOT to use – Don’t use songs whose scope is so broad as to touch on many issues and not really center on a single issue. Any song that attempts to point out all the world’s problems and/or solutions to them is unsuitable for this paper. The following are examples, though not a comprehensive list. Some songs have just been overused.
USING ONE OF THE SONGS BELOW WILL RESULT IN AN AUTOMATIC 20% REDUCTION OF THE TERM PAPER GRADE.
| Any song used in the Understanding the Music/Lyric Connection module or tutorial video |
| “Alyssa Lies” – Jason Michael Carroll |
| “Changes” – Tupac
“Brenda’s Got A Baby (Links to an external site.)” 2Pac |
| “Courtesy Of the Red, White and Blue” – Toby Keith |
| “Face Down” – Red Jumpsuit Apparatus |
| “Heal The World” – Michael Jackson |
| “If I Ruled The World” – Nas |
| “Imagine” – John Lennon |
| “Love the Way You Lie” – Eminem/Rihanna |
| “Real People” – Common |
| “War” – Edwin Starr |
| “We Are The World” – USA For Africa (Jackson, Richie, et al) |
| “What’s Going On” – Marvin Gaye |
| “Where Is The Love” – The Black Eyed Peas |
| “Words I Never Said” – Lupe Fiasco
“Help (Links to an external site.)” The Beatles “Girls & Boys (Links to an external site.)” Good Charlotte “Money (Links to an external site.)” Pink Floyd “Purple Haze (Links to an external site.)” Jimi Hendrix |
Structure – Your paper will be divided into five sections each with a heading in bold-face. (Use bolded headings below, an explanation of each follows) All sections of this paper will be submitted on Canvas for peer review using the procedure and sequence described above. (See course schedule for due dates.)
Sect. 1- Introduction
Sect. 2- Issue Discussion
Sect. 3- Comparison of Songs
Sect. 4- Music/Lyric Connection
Sect. 5- Conclusion
Sections 3 & 4 will each be more than one paragraph long, while section 2 may be one or two. Avoid long and unstructured paragraphs. Sections 1 & 5 should be a single paragraph. Follow content guidelines below for each section:
This is the opening paragraph. It should be concise and to the point, while giving the reader a good sense of what they are about to read. Avoid giving the reader too much detail here. Include the following:
NOT ACCEPTABLE: Any discussion of the artists’ motivation/inspiration for writing or recording the song. We are ONLY interested in what the lyrics have to say (to you) on the issue.
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